Monday, September 24, 2012
FLYING COLOURS
every day she stood in her coloured studio
looking at the colors coming down
and the plane she couldn't reach
leaving it with the presence of absence
with despair in every unused color
green fading to green then green
black to black then black
and the plane waiting for Van Gogh yellow
seeing the dreams she wanted to paint
she plucked the colors from the air
with the shadows on their enigma
falling to the blue painters flesh
slowly twirling to the eternal cracks and space
towards some slow chamber below
her skin feeling the sensations of falling pigment
flying to a new colour field
Sunday, September 2, 2012
CITY LIGHTS
on a hot summer night in North Beach
where street cars dance with gypsies
to the beat of jazz notes blown
with Kerouac and other misfits
dreaming towards another stream of consciousness
baked on heat and apple pie
approaching poems with reckless abandon
reading hot salvages with blemished eyes
puzzled by the shadows of the dancers
and their confident movements of nothingness
with relentless expressions of beauty
wondering what dream brought me to this place
beat poets at City Lights
Sunday, August 26, 2012
MANTEL CLOCK
on the mantelpiece counting down the minutes
before another death
ticking on its face of denial
entrapped within its antiqued mind
unable to turn a blind eye
to the shadows of the big room
while the seconds tick away
it grinds away in deadly charm
remembering the momentous death
of the aloof spinster
and the detached life she lived
while watching the handsome dogs
eat the dead parrot
in silence
Wednesday, August 1, 2012
GARDEN SCULPTURE
below our welcoming garden
it sits
on a chunk of bleached wood
silent
once it was a root
under soil and moss
fertilizing obsessions of the tree
leaving the limbs high in the sky
for the hungry vultures
waiting for the dead body
and another burial
summer fires had run through its veins
autumn hurled oak burrs
winter icicles fell from above
spring opened up its breath
after the dark storm had roared
I carried it home
dripping with sweat
and ancient drops of light
it was more than a chunk of wood
at home I sat it down
I spoke
it listened
I carved and sanded
it remained silent
alert
lines started to form
around sand-flecked hollows
I sanded
I carved
it smiled
forming into a spirit head
coming back to where it once was
below our welcoming garden
it sits silent
a spirit head
Monday, July 30, 2012
Monday, July 23, 2012
EIGHT BAR STOOLS
almost every night at ten
they held court at the Cedar Street Tavern
a landscape of rebel poets and painters
defying rules that might be formalized
talking jazz and baseball
guzzling eight oz jugs of beer
drunk
Kerouac was always at stool one
trying to find the next word
another ashtray to piss in
and the road ahead
never sorry
Pollack would sit next to him
dripping paint dropping spills
before kicking in the men's room door
pissing on the unstreched canvas
never missing
Corso sat at stool three
knowing he had been saved
after kicking in cafe window
finding words in prison
never graduating
de Kooning sits at stool four
feeling the desperation in himself
trembling on the bar stool
throwing his melodrama of paint
before falling
Creely sits between the two painters
sitting so patiently
no knowing who he is
presuming he is a poet
never regrettable
Rothko sits in stool six
never being moved by colors
searching for their emotions
and expressing his non-self
always intimate
O'Hara sits on the next stool
waiting for his next catastrophe
eyes vague looking away
being sick to his stomach
too much vodka
Kline always sits at stool eight
looking familiar in his blueness
with images of his emotions
painting in black and white
eight bar stools
they held court at the Cedar Street Tavern
a landscape of rebel poets and painters
defying rules that might be formalized
talking jazz and baseball
guzzling eight oz jugs of beer
drunk
Kerouac was always at stool one
trying to find the next word
another ashtray to piss in
and the road ahead
never sorry
Pollack would sit next to him
dripping paint dropping spills
before kicking in the men's room door
pissing on the unstreched canvas
never missing
Corso sat at stool three
knowing he had been saved
after kicking in cafe window
finding words in prison
never graduating
de Kooning sits at stool four
feeling the desperation in himself
trembling on the bar stool
throwing his melodrama of paint
before falling
Creely sits between the two painters
sitting so patiently
no knowing who he is
presuming he is a poet
never regrettable
Rothko sits in stool six
never being moved by colors
searching for their emotions
and expressing his non-self
always intimate
O'Hara sits on the next stool
waiting for his next catastrophe
eyes vague looking away
being sick to his stomach
too much vodka
Kline always sits at stool eight
looking familiar in his blueness
with images of his emotions
painting in black and white
eight bar stools
Wednesday, July 18, 2012
POET'S EPITAPH
words of the soul
slowly running thru
the worst and best of me
forever
like my blood
the creek flows
with fear
unafraid of critics
to the forgiving ocean
slowly running thru
the worst and best of me
forever
like my blood
the creek flows
with fear
unafraid of critics
to the forgiving ocean
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